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Paul Ashton, Toula Nicolacopoulous and George Vassilacopoulos: The Spirit of the Age and The Fate of Philosophical Thinking
Mikhail Bakhtin: Chapter Three: The Idea in Dostoevsky in Problems with Dostoevsky's Poetics
Claire Bishop: Introduction: Viewers as Producers in Participation
Axel Burns: Some Exploratory Notes on Produsers and Produage
boyd danah: Why Youth (Heart) Social Network Sites: The Role of Networked Publics in Teenage Social Life
Vannevar Bush: As We May Think 1945
Edward Bushcombe: Ideas of Authorship
Umberto Eco: The Poetics of the Open Work in The Open Work
Jochen Gerz: Toward Public Authorship
Charles Green: Introduction: Collaboration as Symptom in The Third Hand: Collaboration in Art from Conceptualism to Postmodernism
Donna Haraway: A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century
Brian Holmes: The Flexible Personality: For a New Cultural Critique
Grant Kester: Chapter Four: A Critical Framework for Dialogic Practice in Conversation Pieces
John Law and John Ury: Enacting the Social
Sally J. Morgan: British Contextualism as Processual Postmodern Practice
Chantal Mouffe: Introduction to The Return of the Political
Hans Ulrich Obrist interview with Howard Becker
Brian O'Connor: Introduction: Adorno's Negative Dialectics
Plausible Artwords
Gene Ray: Another (Art) World Is Possible: Theorizing Oppositional Convergence
Christopher L. Salter and Sha Xin Wei: Sponge: A Case Study in Practice-based Collaborative Research
Donlad Schon: From Technical Rationality to Reflection in Action
Trebor Scholz: The Participatory Challenge
Terge Steinulfsson Skjerdal: In search of a philosophy of praxis in Adorno's negative dialectics
Blake Stimson and Gregory Scholette: Periodizing Collectivism
Tzvetan Todorov: Chapter Seven: Philosophical Anthropology in The Dialogical Principle: Theory & History of Literature
Stephen Wright: The Use-Value of Contemporary Art
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27_01_10
This is Marsha Bradfield's research page
Reflections
Why a "Research Review"?
Notes on Structure
Texts to read post-Confirmation
Aspects
Annotated Bibliography
Lexicons
List of Abbreviations
Threads
A
Aesthetic Activity * The Aesthetic Surplus of Seeing * Anthropology vs. Sociology * Foucault's Archaeology * The New Aesthetics
B
De-fetishization of the Bakhtin Cult * Mikhail Bakhtin: Biography * Bakhin's Non-Alibi of Being * Bakhtin's relationship to Dostoevsky * Ken Hirschkop's argument in Mikhail Bakhtin: an aesthetic for democracy
D
Critique of Bakhtin's Dialogism * Dialogue * Dialogue vs Dialectics * Towards a Dialogic Sensibility * Overarching Method: Dialogical Epistemology * Types of Dialogues * The Distinction between Dialogue and Discourse * Dostoevsky's Difference * Durability of Inscriptions * Documentary * Andrew Chesher's "dialogical documentary"
E
Bakhtin's Ethics * Bakhtin's Ethics and Aesthetics
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F
Figuration in Bakhtin's Writing
G
Genre
H
Heteroglossia * Heteroglossia and the Public Sphere * History and Tradition * Ken Hirschkop's argument in Mikhail Bakhtin: an aesthetic for democracy
I
J
K
Keywords in Bakhtin's Approach *
L
Formal Linguistics
M
Monologic*
N
The Novel
O
P
Polyphony * Practice * The Public Square * The Slippery Categories of Public and Private in the Public Square * Publicness * The Language of Publicness
Q
R
Responsibility * Representation * Bakthin's Views on Rhetoric * Relational Aesthetics * Critiques of Relational Aesthetics *
S
The Semiotics of Space * Social Constructivism * Social Interactionism * Social Media * Spatio-temporality in the Heteroglot Novel * Struggle in Bakhtin * Bakhtinian Subjectivity * Emergent Subjectivities in Bakhtin's Reading of Dostoevsky's Heteroglot Novels * Speech Life * Subject and Object
T
Terminological Distinctions in Bakhtin's Scholarship * Theoretical Timeline * Truth
U
Uneveness of Discourse
Research on Research
Theodor Adorno: "Introduction" in Negative Dialectics
Theodor Adorno: "Part Two: Negative Dialectics: Concept and Categories" in Negative Dialects
Paul Ashton, Toula Nicolacopoulous and George Vassilacopoulos: The Spirit of the Age and The Fate of Philosophical Thinking
Mikhail Bakhtin: Art and Answerability
Mikhail Bakhtin: Chapter Three: The Idea in Dostoevsky in Problems with Dostoevsky's Poetics
Bruce Barber: The Gift of Littoral Art Practice
Howard Becker Interview with Hans Ulrich Obrist
Amanda Beech: Don't fight it: the embodiment of critique
Sophie Berrebi: Documentary and the Dialectical Document in Contemporary Art
Claire Bishop: Antagonism and Relational Aesthetics
Claire Bishop: The Social Turn: Collaboration and its Discontents
Henk Borgdorff: The Debate on Research in the Arts
Andrew Cheshire: Abstact to Seeing Connections: Documentary as an Intervention in the Social World
Italo Calvino: Multiplicity in Six Memos for the Next Millennium
David Carrier: Review: The Truth in Painting by Jacques Derrida
Nick Couldry: Actor Network Theory and Media: Do They Connect and on What Terms?
Judith Butler: Performative Acts and Gender Constitution
Geoff Danaher, Tony Schirato and Jen Webb: Chapter Ten: Arts of the Self in Understanding Foucault
Mladen Dolar: Chapter Five: The Politics of the Voice
Francois Deck: Reciprocal Expertise
Stephen Dunscombe: Dream: Re-Imagining Progressive Politics in An Age of Fantasy
Gemma Corradi Fiumara: A Philosophy of Listening within a Tradition of Questioning
Michel Foucault: The Hermeneutic of the Subject
Michel Foucault: What is an Author?
Carol Gigliotti: The Aesthetics of a Virtual World
Donna Haraway: A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century
Grant Kester: Conversation Pieces: Community, Communication and Modern Art
Thomas Hirschhorn: Doing Art Politically: What does it mean?
Chunglin Kwa: Romantic and Baroque Conceptions of Complex wholes in the Sciences
John Law: Making a Mess with Method
Bruno Latour: From Realpolitik to Dingpolitik or How to Make Things Public
Maurizio Lazzarato: Bakhtin's Theory of the Utterance
Darian Leader: The System of Rodney Graham's Costume Trilogy
Maria Lind: The Collaborative Turn
Katy MacLeod: The functions of the written text in practice-based PhD submissions
Kirsten Mey: The Gesture of Writing
Peter Osborne: Non-places and the spaces of art
David Runciman: Introduction to Political Hypocrisy: The Mask of Power, From Hobes to Orwell and Beyond
Florian Schneider: Collaboration
Terge Steinulfsson Skjerdal: In search of a philosophy of praxis in Adorno's negative dialectics
Tzvetan Todorov: Chapter Three: Major Options in Mikhail Bakhtin: The Dialogical Principle
Sherry Turkle: Introduction in Life on the Screen
Stephen Wright: The Use-Value of Contemporary Art
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