Difference between revisions of "The New Aesthetics"

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Return to [[Threads and Quotes]] * [[Annotations]] *  [[Practice Literature]] * [[Main Page]]
 
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'''Downey, Anthony. "Towards a Politics of (Relational) Aesthetics." ''Third Text'', vol 21, issue 3 (May 2007) 267-275'''.<br>
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'''Downey, Anthony. &quot;Towards a Politics of (Relational) Aesthetics.&quot; ''Third Text'', vol 21, issue 3 (May 2007) 267-275'''.&lt;br&gt;
  
*The aesthetic criteria used to interpret art as a practice have changed radically since the 1960s. To note as much is to observe a truism: the idea (or should that be the ideal) of a universalist aesthetic point of reverence, or even a notion of aesthetics as a nominal interpretive baseline, has been discursively displaced by identitarian, theoretical, political, economic, ethical and social interventions. And yet aesthetics as a topic, far from fading into a minor role, has become something of a notional cornerstone in recent discussions about contemporary art. (p. 267)  
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*The aesthetic criteria used to interpret art as a practice have changed radically since the 1960s. To note as much is to observe a truism: the idea (or should that be the ideal) of a universalist aesthetic point of reverence, or even a notion of aesthetics as a nominal interpretive baseline, has been discursively displaced by identitarian, theoretical, political, economic, ethical and social interventions. And yet aesthetics as a topic, far from fading into a minor role, has become something of a notional cornerstone in recent discussions about contemporary art. (p. 267) &lt;br&gt;
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Downey, Anthony. "Towards a Politics of (Relational) Aesthetics." Third Text, vol 21, issue 3 (May 2007) 267-275.<br>

  • The aesthetic criteria used to interpret art as a practice have changed radically since the 1960s. To note as much is to observe a truism: the idea (or should that be the ideal) of a universalist aesthetic point of reverence, or even a notion of aesthetics as a nominal interpretive baseline, has been discursively displaced by identitarian, theoretical, political, economic, ethical and social interventions. And yet aesthetics as a topic, far from fading into a minor role, has become something of a notional cornerstone in recent discussions about contemporary art. (p. 267) <br>

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